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Aktuelles Call for Papers

CFP: General Idea Symposium + exhibition

June 4,  2022
National Gallery of Canada, Ottawa

Deadline: March 25, 2022

Three heads were better than one: AA Bronson, Felix Partz, Jorge Zontal. As members of General Idea (1969–1994), this trio – who thought of themselves more like a rock band than as an artist collective – have had a huge impact on the international contemporary art world.

The conceptual apparatus of their flagship enterprise, The 1984 Miss General Idea Pavillion, though destroyed, has left a large imprint on culture. General Idea were a mirror of their times and a view on the future. They were cultural anthropologists, like Claude Lévi-Strauss; semiologists, like Roland Barthes; media savants, like Marshall McLuhan; and queer literary outsiders, like William Burroughs. They created a complex system that functioned as myth. Fact and fiction always blended in their work. So did irony and critique. They inhabited contemporary mass cultural and media formats with witty sophistication: the beauty pageant, LIFE magazine, television production. Their 1984 Miss General Idea Pageant was a parody of the ritual elevation and demotion of art stars, figured within the dominatrix persona and temporary reign of The Spirit of Miss General Idea. The Pavillion was an architecture elevated through language, constructed purely as a performative fiction. They said it, they did it. General Idea were social figures: artists with berets, businessmen with plans. One moment they were architects designing and building the Pavillion, then they were archaeologists sifting through its ruins. As cultural parasites they could mutate with the times. Little did they know that eventually their viral methods would be mirrored in a real-world crisis: AIDS.

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Aktuelles Call for Papers

CFP: Studying Indigenous Literatures and Cultures of Turtle Island in Europe: Questions of Methodology, Positionality, Accountability, and Research Ethics (NWF online workshop)

May 5-6, 2022 (online)

Deadline: March 31, 2022

organised by the Emerging Scholars‘ Forum (NWF)

While in standard literary analysis discussion of one’s position is rarely identified and
discussed, it is, I suggest, a necessity in Indigenous Studies. (Reder 8)

In this workshop, we wish to reflect on how to respectfully engage with Indigenous critical and creative thought from European localities, positionalities, and perspectives. In this sense, we take up Deanna Reder’s (Métis) call for rigorous self-reflection. At the same time, we heed Sam McKegney’s warning that non-Indigenous scholars who use positionality as a critical lens may ultimately perpetuate “strategies of ethical disengagement” (81), an evasion of accountability, and an escapism into self-centered introspection of the critic’s own inadequacies that fails tochallenge the academic status quo.
This workshop perceives Canada as a framework that demands critical interrogation. It builds on the understanding that Canadian national borders do not align with Indigenous concepts, knowledges, relations, and sovereignties. Furthermore, it understands Indigenous Studies as a discipline in its own right, on its own terms, that centers Indigenous ways of knowing, communities, and cultures.
While as such Indigenous Studies is established in its own, expanding departments across Turtle Island, institutional contexts in Europe, for the most part, lack a departmental structure that recognizes the position of Indigenous Studies as an independent discipline. Lee Maracle’s (Stó:lō) and Kimberly Blaeser’s (Chippewa) critical reckoning with Eurowestern academia in the early 1990s thus resonates today in, as Margaret Kovach (Nêhiyaw and Saulteaux) writes, “an academy that is still colonial” (175).

This workshop’s exploration of its four key elements—methodology, positionality, accountability, and research ethics—is based on the critical awareness that studying Indigenous thoughts and cultures from within Europe takes place within uneven power structures. This understanding also includes the complex ways in which European institutions, including universities, have been implicated in the enduring legacies of genocide, colonialism, capitalism, Christianity, and patriarchy, among others. Even though these systems have been key to dispossessing Indigenous peoples and marginalizing their knowledges, Indigenous peoples have been resisting such oppression for a long time. Within the specific contexts of engaging with Indigenous literatures and theories in Europe, we are interested in discussing the possibilities and limits of practicing solidarity in scholarship in terms of “uneasy” solidarity based on incommensurability (Tuck and Yang 3) and forms of “critical c o-resistance” (Coulthard and Simpson 250).

Format & Submission:
This workshop will take place online from May 5-6, 2022, and features contributions by Dr
Renae Watchman (Diné & Tsalagi) and Prof Dr Hartmut Lutz as confirmed speakers. In
conversation with their talks, the workshop includes panels for scholars of all levels—BA, MA, PhD, Postdoc—to present their research projects and work in progress, which engage with Indigenous critical and creative thoughts. This workshop is designed in particular for early career researchers as it aims to provide a safe space for them to discuss their specific needs, challenges, and difficulties, which they might encounter or have encountered during their research, including their questions and concerns regarding methodology, positionality, accountability, and research ethics. We invite contributions in the form of short talks or alternative formats, such as artwork, video-clips, or collaborative work.

Please submit the following until March 31:
an abstract of ca. 250 words

a short bio of ca. 100 words

a response of ca. 250 words to the question: How have you come to study Indigenous
literatures and cultures?

To submit your proposal, please send your abstract, bio and response in a single file
(.doc/.docx/.pdf) to the organizing committee at
indigenousstudiesworkshop@gmail.com
Should you have any further questions, please feel free to contact the organizers at

indigenousstudiesworkshop@gmail.com

Speakers:
Dr Renae Watchman (Diné & Tsalagi) (McMaster University)

Prof Dr Hartmut Lutz (University of Greifswald)

Workshop organizers:
Atalie Gerhard, Saarland University / IRTG Diversity: Mediating Difference in
Transcultural Spaces

Johanna Lederer, Catholic University of Eichstätt-Ingolstadt / RTG Practicing Place:
Socio-Cultural Practices and Epistemic Configurations

Manuel Sousa Oliveira, University of Porto / CETAPS

Alisa Preusser, University of Potsdam

Contact:
indigenousstudiesworkshop@gmail.com

Works Cited:
Blaeser, Kimberly. “Native Literature: Seeking a Critical Centre.” Looking at the Words of Our People: First Nations Analysis of Literature, edited by Jeannette Armstrong, Theytus Books, 1993, pp. 51-62.

Coulthard, Glen, and Leanne Betasamosake Simpson. “Grounded Normativity/ Place-Based Solidarity.” American Quarterly, vol. 68, no. 2, 2016, pp. 249-55.

Kovach, Margaret. Indigenous Methodologies: Characteristics, Conversations, and Contexts. U of Toronto P, 2009.

Maracle, Lee. Memory Serves and Other Essays: Oratories. NeWest P, 2015.

McKegney, Sam. “Strategies for Ethical Engagement: An Open Letter Concerning Non Native Scholars of Native Literatures.” 2008. Learn. Teach. Challenge: Approaching Indigenous Literatures, edited by Deanna Reder and Linda M. Morra, Wilfried Laurier UP, 2016, pp. 79-87.

Reder, Deanna. “Introduction: Position.” Learn. Teach. Challenge: Approaching Indigenous Literatures, edited by Deanna Reder and Linda M. Morra, Wilfried Laurier UP, 2016, pp. 7-17.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education & Society, vol. 1, no. 1, 2012, pp. 1-40.

 

Additional information:

Following feedback for which we are thankful, we are delighted to publish the CfP in French as well and apologize for any confusion. We would like to underline that while our workshop is an international workshop, we seek a common language that most participants speak. Yet, we dearly welcome presentations in Indigenous languages, settler colonial languages, and all other languages worldwide. Although the four organizers can offer support in eight languages which are English, French, German, Portuguese, Finnish, Italian, Spanish, and Romanian on different levels of competency, if the language of your presentation is not English, we politely ask you to organize an own translation into English.

Thank you very much. We hope to see you soon in our workshop.

Kategorien
Aktuelles Call for Papers

CFP: Canadian Landscapes

9th Triennial Conference of the CENTRAL EUROPEAN ASSOCIATION FOR CANADIAN STUDIES

Budapest, Hungary
October 2729, 2022

Deadline March 10, 2022

The Central European Association for Canadian Studies, in cooperation with Eötvös Loránd University, Károli Gáspár University of the Reformed Church in Hungary, Pázmány Péter Catholic University and Budapest Business School University of Applied Sciences, is pleased to announce a conference on “Canadian Landscapes” to be held in Budapest, Hungary, on October 2729, 2022.
The Conference Organizing Committee welcomes papers in English or French on literary
, cultural, political, geographical, environmental, historical, artistic, as well as business and economicsrelated perspectives of the conference theme, including (but not limited to) the following topics:


cultural landscapes
indigenous landscapes
multicultural and transnational landscapes
climate fiction
petrol fiction and other resource management induced landscapes
geological landscapes

ecocriticism
literary and cultural sustainability
visual arts
utopian and dystopian landscapes

(post)apocalyptic landscapes
landscapes in translation

ekphrasis
landscapes and identity

landscapes of the mind: psychological fiction
gendered landscapes

posthuman landscapes

historical landscapes

landscapes: theological interpretations

culinary landscapes

demographic landscapes

business landscapes (tourism, hospitality, finance, management, accountancy, foreign trade, EUCanada relations)

economic landscapes


The intended program will feature
keynote lectures, multiple thematic sessions, panel discussions, sessions for young Canadianists, as well as a teachertraining session and film screening.

Presentations will be 20 minutes, followed by Q&A at the end of each session.
PhD, MA and BA s
tudents are also welcome to participate with papers (with the option for BA students to deliver 10minute presentations).


A
bstracts of papers (maximum 250 words) and a oneparagraph CV for those planning to deliver papers should be submitted by email to the organizers at karoli.canada@gmail.com and at deak.timea@kre.hu by March 10, 2022. Participants will be notified of the acceptance of their paper proposals by March 21, 2022.
A selection of papers will be published in a special, peerreviewed journal issue devoted to the theme of the conference.

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Aktuelles Veranstaltungen

En Suivant Shimun : Prof. Isabelle Miron en conversation avec écrivaine Laure Morali (en ligne)

Contemporary Fiction in Québec and India / La Fiction Contemporaine au Québec et en Inde

SHASTRI INDOCANADIAN INSTITUTE FUNDED CONFERENCE SERIES
Department of French, University of Calcutta

February 28, 2022, 8h30 (Montréal), 19h (Inde/India)

Date limite d’enregistrement: February 27, 2022 (12 IST)

Laure Morali est poète, autrice des récits et romancière. Ses œuvres relient l’héritage des Premières Nations à la création littéraire du Québec.

Prof. Isabelle Miron enseigne au Département des études littéraires UQAM (Canada), elle se spécialise en récits de voyage, création littéraire.
Site web de l’Institut : http://www.shastriinstitute.org

Kategorien
Aktuelles Call for Papers

CFP MLA 2023 Panel: Transatlantic Ties: The Morris Circle and the “New World”

In January 2023, the William Morris Society in the United States will host two panels at the Modern Language Association annual conference.

The conference will take place from 5-8 January 2023 in San Francisco.

Transatlantic Ties: The Morris Circle and the “New World”

Papers are sought for a panel on the cross-influence of Morris and his associates on North American literature and culture and the reverse. What did the Morris circle find congenial in American/Canadian/South American/indigenous literature and culture, and in turn, in what ways were Morris and his circle influential in the literary, artistic, business, and political circles of the Americas? What were some instances of transatlantic collaboration?

Please send an abstract and short bio or 1 page c.v. to Jude Nixon at jnixon@salemstate.edu and Florence Boos at Florence-boos@uiowa.edu by 15 March, 2022.