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Symposium (hybrid): Inheritance: How Communities Are Responding to Controversial Artwork

John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University, Providence, RI/USA

April 27 – 30, 2022

https://sites.brown.edu/inheritance/

Inheritance (April 27 – 30, 2022) brings together activists, curators, educators, tribal leaders, artists, historians, heritage workers, and policy makers to explore the range of strategies that institutions and communities are using to respond to contentious representations of race, Indigenous lifeways and history in public art and architecture.  Over two days on Zoom, speakers from the US, UK and Canada will offer first-hand accounts of initiatives and actions that resulted in the removal, reinterpretation, or recontextualization of public and commemorative artworks, heritage sites and museum collections, while others will present on efforts to protect and preserve sites that have been ignored or under-resourced.  We are in the midst of a reckoning, as communities seek to reshape how (and whose) history is told and commemorated in public space. This may entail radical changes to the art that hangs on our walls, the monuments in our public squares, and the stories that are told at historic sites as the public landscape that we have inherited continues to evolve.

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Métis Symposium Mawachihitotaak (Let’s Get Together)

May 3- 6, 2022 (virtual)

https://eventhub.virtualtradeshowhosting.com/e/mawachihitotaak-lets-get-together-metis-symposium

Special marsii to Michif Elder Verna Demontigny for gifting us the name Mawachihitotaak in the spirit of bringing us all together to share our knowledge and to become family.

Over the past year, visioning and planning have been underway for the Mawachihitotaak (Let’s Get Together) Métis Studies Symposium to bring together a diverse community of Métis thinkers. This gathering will occur virtually from May 3rd to 6th, 2022, in partnership with the Winnipeg Art Gallery in partnership with Kwaata-nihtaawakihk – A Hard Birth running March 18th—September 3rd, 2022.

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Aktuelles Veranstaltungen

Special Exhibition: Waawiindamaw. Promise: Indigenous Art and Colonial Treaties in Canada (Zurich)

North American Native Museum, Zurich/Switzerland

April 8 – September 17, 2022

https://www.stadt-zuerich.ch/kultur/en/index/institutionen/native_american_and_inuit_cultures/exhibitions.html

Three indigenous artists address colonial treaties. Their artworks tell stories of reserves, resources, rights and land.

Waawiindamaw means promise. Colonial treaties promised much and delivered little. Above all, they legitimized the claims of colonial powers to indigenous lands. To this day, they form the basis of the relationship between Indigenous nations and the Canadian state. Historical treaties were based on different concepts of land and had devastating consequences for Indigenous peoples. For Indigenous land was no more for sale than the air we breathe. Three indigenous artists address colonial treaties and their consequences in their works. An exhibition about the loss of land and broken promises.

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La Bourse d’excellence Gaston-Miron (CRILCQ – AIÉQ)

Date butoir : 3 juin 2022

https://crilcq.org/qui-sommes-nous/soutien/bourse-gaston-miron-sur-la-litterature-et-la-culture-quebecoises-aieq-crilcq/

Dates du stage : Toute l’année

Lieu : Dans l’une des universités du Québec.

Montant accordé : 5 000 $ CAN

La Bourse d’excellence Gaston-Miron (CRILCQ – AIÉQ) a pour objectif de permettre à des étudiant·es de 3e cycle universitaire à l’extérieur du Québec de faire un stage de recherche en littérature et culture québécoises au Québec

Si le stage est réalisé sous la supervision d’un·e chercheur·e régulier·lière du Centre de recherche interuniversitaire sur la littérature et la culture québécoises (CRILCQ), le Centre offrira un complément de bourse d’une valeur de 1500 $.

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Aktuelles Call for Papers

CFP Interdisciplinary conference: Ladies in Arms: Representations of Shooting Women in Contemporary Popular Culture

Oct 19-21, 2022, Vienna

Deadline: May 6, 2022

Organizers: Prof. Dr. Teresa Hiergeist (Romanistik); PD Dr. Stefanie Schäfer (Amerikanistik)

In contemporary popular culture, representations of shooting women abound: Super heroines, warrior goddesses, and female avengers brandish their weapons in movies, cartoons, comics and novels, advertisements, and on the shelves of toy stores (Inness 2018, 4); stories of cowgirls, huntresses, and female police officers and soldiers have received increased media attention in the past 30 years (Browder 2008; Browder and Pflaeging 2010; Patton and Schedlock 2012). This new omnipresence of the gun-toting woman in the cultural imaginary indicates her great potential to concentrate different discourses about gender, the legitimacy of violence, and social cohesion. She exposes the values, norms and attitudes of contemporary individuals, groups and societies. In this respect it comes as no surprise that narratives of shooting women negotiate a variety of positions and identities.