la Chaire Fernand–Dumont sur la culture
du 17 au 19 mai 2023, à Montréal (Canada)
Date limite : 31 juillet 2022
*Version complète de cet appel à communications en cliquant ici*
Dans un contexte marqué par d’importantes transformations sociodémographiques
induites par les migrations contemporaines, que sait–on des pratiques artistiques et
culturelles des individus et groupes immigrants ? Tandis que les travaux traitant de
participation artistique et culturelle ne problématisent encore que peu les questions
d’immigration, les études migratoires tendent de leur côté à privilégier les dimensions
économiques, sociales, politiques ou civiques de la participation au détriment de ses
aspects proprement culturels et artistiques. Cette thématique invite pourtant à saisir les
conditions et enjeux inédits de la pluralisation des mondes culturels pour l’ensemble des
personnes et organisations engagées dans la production, la circulation et la fréquentation/consommation des arts et de la culture.
À l’interface des études culturelles, urbaines et migratoires, ce colloque souhaite éclairer
les dynamiques de participation artistique et culturelle induites par l’immigration en
croisant angles théoriques et approches méthodologiques et en engageant un dialogue
de part et d’autre de l’Atlantique. Si la recherche fondamentale est essentielle pour mieux
comprendre les processus en jeu, la problématique appelle également la mobilisation et
le partage des connaissances avec les milieux artistiques et culturels. Les discussions de
ce colloque s’articuleront autour des trois axes suivants :
Axe politique : Pluralisation des pratiques, institutions et médiations
La thématique de ce colloque invite à réfléchir aux redéfinitions des modes de
participation et des politiques culturelles, de même qu’aux reconfigurations des
institutions artistiques. En quoi les pratiques artistiques et culturelles des individus et
groupes immigrants transforment–elles les écosystèmes culturels locaux ? En quoi ces
pratiques invitent–elles à repenser la notion même de participation artistique et
culturelle ? Comment comprendre les enjeux d’accessibilité et d’inclusion des populations immigrantes au sein des institutions culturelles ? Quelles formes de médiations permettent de valoriser d’autres modes de participation aux arts, à la culture et à la vie de la cité ?
Axe social : Socialisations et sociabilités culturelles en contexte de superdiversité
Dans les sociétés contemporaines superdiversifiées par l’immigration, de nouvelles
formes de sociabilités interethniques et interraciales s’affirment, de même que des
polarisations et clivages au sujet desquels les arts et la culture constituent des lunettes
d’observation pertinentes. Quelles interactions engendrent les pratiques artistiques et
culturelles dans les villes marquées par l’immigration ? Quelles dynamiques sociales les
arts et la culture mettent–elles en évidence ? Quels facteurs sociodémographiques
marquent les frontières des pratiques artistiques et culturelles des populations
immigrantes ?
Axe spatial : Territorialisation et échelles des pratiques artistiques et culturelles
Les migrations contemporaines renvoient à des trajectoires de plus en plus variées, les
contextes émigrant et immigrant étant interconnectés tant par les allers–retours
physiques des individus que par le biais des technologies numériques au cœur de
mouvements transnationaux. Ainsi, sur quels territoires, physiques et numériques, se
déploie la participation artistique et culturelle des personnes et populations
immigrantes ? Quelles connexions transnationales se dessinent par leurs pratiques
artistiques et culturelles ? Quelles échelles doivent être considérées dans l’étude de ces
pratiques ?
Les propositions de communications (incluant Nom, prénom, statut, institution
d’attache, titre, résumé de 300 mots maximum et 5 mots–clés) sont à envoyer à
l’adresse : chaire.fernand–dumont@inrs.ca
Ce colloque se déroulera principalement en langue française. Certaines séances
se tiendront également en langue anglaise ; nous invitons ainsi les personnes qui
le souhaitent à soumettre une proposition dans cette langue.
Calendrier
Date limite d’envoi de propositions : 31 juillet 2022
Annonce des résultats : Automne 2022
Colloque : 17–19 mai 2023
Comité organisateur
Guy Bellavance, Institut national de la recherche scientifique, Canada
Angéline Escafré–Dublet, Université Lumière Lyon–2, France
Caroline Marcoux–Gendron, Université de Montréal, Canada
Marco Martiniello, Université de Liège, Belgique
Yana Meerzon, Université d’Ottawa, Canada
Christian Poirier, Institut national de la recherche scientifique, Canada
Comité scientifique
Art Babayants, Bishop’s University, Canada
Xavier Bouvier, Haute école de musique Genève–Neuchâtel, Suisse
Philippe Coulangeon, Sciences Po, France
Nada Guzin Lukic, Université du Québec en Outaouais, Canada
Laurie Hanquinet, Université libre de Bruxelles, Belgique
Sonia Mbarek, Université de Tunis, Tunisie
Elsa Mescoli, Université de Liège, Belgique
Amin Moghadam, Toronto Metropolitan University, Canada
Sylvie Octobre, ministère de la Culture et de la Communication, France
Aly Tandian, Université Gaston Berger, Sénégal
the Chaire Fernand–Dumont sur la culture
17–19 May 2023, in Montréal (Canada)
Deadline: July 31, 2022
*Full version of this call for submissions here*
In a context marked by major socio–demographic transformations induced by
contemporary migrations, what do we know about the arts and cultural practices of
immigrant individuals and groups? Few current studies on arts and cultural participation
problematize immigration issues, and migration studies tend to focus on the economic,
social, political, or civic dimensions of participation, to the detriment of its cultural and
artistic aspects. Nevertheless, this theme captures the conditions and issues involved in
the pluralization of cultural spheres for all people and organizations involved in the
production, circulation, and attendance at/consumption of arts and culture.
This colloquium, at the intersection of cultural, urban, and migration studies, is intended
to shed light on the dynamics of arts and cultural participation induced by immigration by
combining theoretical angles and methodological approaches and engaging in a dialogue
from both sides of the Atlantic Ocean. Although fundamental research is essential to a
better understanding of the processes at play, the subject also calls for the mobilization
and sharing of knowledge with the arts and cultural fields. The discussions at this
colloquium will be articulated around the following three axes:
Political Axis: Pluralization of Practices, Institutions, and Forms of Mediation
The themes explored in this colloquium invite us to consider the redefinitions of modes
of participation and of cultural policies, as well as the reconfiguration of art institutions.
In what ways do the arts and cultural practices of immigrant individuals and groups
transform local cultural ecosystems? How do these practices encourage us to rethink the
very notion of arts and cultural participation? How can we understand the issues of
immigrant populations’ access to and inclusion in cultural institutions? What forms of
mediation can highlight other ways of participating in arts, culture, and urban life?
Social Axis: Cultural Socialization and Sociabilities in the Context of Super–diversity
In contemporary societies, super–diversified by immigration, new forms of interethnic and
interracial sociabilities are emerging, as are polarizations and cleavages, for which arts
and culture constitute relevant lenses for observation. What interactions engender arts
and cultural practices in cities with significant immigrant populations? What social
dynamics do arts and culture highlight? What socio–demographic factors define the
boundaries between and within respective immigrant populations’ arts and cultural
practices?
Spatial Axis: Territorialization and Scales of Arts and Cultural Practices
Contemporary migrations refer to trajectories that are increasingly varied, as emigrant
and immigrant contexts are interconnected both by individuals’ physical comings and
goings and via the digital technologies now key to transnational movements. So, in which
territories, physical and digital, do immigrant individuals and populations deploy their arts and cultural participation? What transnational connections are sketched out by their arts and cultural practices? What scales should be considered in research on these practices?
Submissions (including last name, first name, status, institution to which the
person is attached, title, abstract of 300 words maximum, and 5 keywords)
should be sent to chaire.fernand–dumont@inrs.ca
This colloquium will be held mainly in French. Some sessions will also be held in
English; we therefore welcome proposals in that language.
Schedule
Deadline for submissions: 31 July 2022
Announcement of results: Fall 2022
Colloquium: 17–19 Mai 2023
Organizing committee
Guy Bellavance, Institut national de la recherche scientifique, Canada
Angéline Escafré–Dublet, Université Lumière Lyon–2, France
Caroline Marcoux–Gendron, Université de Montréal, Canada
Marco Martiniello, Université de Liège, Belgique
Yana Meerzon, Université d’Ottawa, Canada
Christian Poirier, Institut national de la recherche scientifique, Canada
Comité scientifique
Art Babayants, Bishop’s University, Canada
Xavier Bouvier, Haute école de musique Genève–Neuchâtel, Suisse
Philippe Coulangeon, Sciences Po, France
Nada Guzin Lukic, Université du Québec en Outaouais, Canada
Laurie Hanquinet, Université libre de Bruxelles, Belgique
Sonia Mbarek, Université de Tunis, Tunisie
Elsa Mescoli, Université de Liège, Belgique
Amin Moghadam, Toronto Metropolitan University, Canada
Sylvie Octobre, ministère de la Culture et de la Communication, France
Aly Tandian, Université Gaston Berger, Sénégal
the Chaire Fernand–Dumont sur la culture
17–19 May 2023, in Montréal (Canada)
Deadline: July 31, 2022
*Full version of this call for submissions here*
In a context marked by major socio–demographic transformations induced by
contemporary migrations, what do we know about the arts and cultural practices of
immigrant individuals and groups? Few current studies on arts and cultural participation
problematize immigration issues, and migration studies tend to focus on the economic,
social, political, or civic dimensions of participation, to the detriment of its cultural and
artistic aspects. Nevertheless, this theme captures the conditions and issues involved in
the pluralization of cultural spheres for all people and organizations involved in the
production, circulation, and attendance at/consumption of arts and culture.
This colloquium, at the intersection of cultural, urban, and migration studies, is intended
to shed light on the dynamics of arts and cultural participation induced by immigration by
combining theoretical angles and methodological approaches and engaging in a dialogue
from both sides of the Atlantic Ocean. Although fundamental research is essential to a
better understanding of the processes at play, the subject also calls for the mobilization
and sharing of knowledge with the arts and cultural fields. The discussions at this
colloquium will be articulated around the following three axes:
Political Axis: Pluralization of Practices, Institutions, and Forms of Mediation
The themes explored in this colloquium invite us to consider the redefinitions of modes
of participation and of cultural policies, as well as the reconfiguration of art institutions.
In what ways do the arts and cultural practices of immigrant individuals and groups
transform local cultural ecosystems? How do these practices encourage us to rethink the
very notion of arts and cultural participation? How can we understand the issues of
immigrant populations’ access to and inclusion in cultural institutions? What forms of
mediation can highlight other ways of participating in arts, culture, and urban life?
Social Axis: Cultural Socialization and Sociabilities in the Context of Super–diversity
In contemporary societies, super–diversified by immigration, new forms of interethnic and
interracial sociabilities are emerging, as are polarizations and cleavages, for which arts
and culture constitute relevant lenses for observation. What interactions engender arts
and cultural practices in cities with significant immigrant populations? What social
dynamics do arts and culture highlight? What socio–demographic factors define the
boundaries between and within respective immigrant populations’ arts and cultural
practices?
Spatial Axis: Territorialization and Scales of Arts and Cultural Practices
Contemporary migrations refer to trajectories that are increasingly varied, as emigrant
and immigrant contexts are interconnected both by individuals’ physical comings and
goings and via the digital technologies now key to transnational movements. So, in which
territories, physical and digital, do immigrant individuals and populations deploy their arts and cultural participation? What transnational connections are sketched out by their arts and cultural practices? What scales should be considered in research on these practices?
Submissions (including last name, first name, status, institution to which the
person is attached, title, abstract of 300 words maximum, and 5 keywords)
should be sent to chaire.fernand–dumont@inrs.ca
This colloquium will be held mainly in French. Some sessions will also be held in
English; we therefore welcome proposals in that language.
Schedule
Deadline for submissions: 31 July 2022
Announcement of results: Fall 2022
Colloquium: 17–19 Mai 2023
Organizing committee
Guy Bellavance, Institut national de la recherche scientifique, Canada
Angéline Escafré–Dublet, Université Lumière Lyon–2, France
Caroline Marcoux–Gendron, Université de Montréal, Canada
Marco Martiniello, Université de Liège, Belgique
Yana Meerzon, Université d’Ottawa, Canada
Christian Poirier, Institut national de la recherche scientifique, Canada
Comité scientifique
Art Babayants, Bishop’s University, Canada
Xavier Bouvier, Haute école de musique Genève–Neuchâtel, Suisse
Philippe Coulangeon, Sciences Po, France
Nada Guzin Lukic, Université du Québec en Outaouais, Canada
Laurie Hanquinet, Université libre de Bruxelles, Belgique
Sonia Mbarek, Université de Tunis, Tunisie
Elsa Mescoli, Université de Liège, Belgique
Amin Moghadam, Toronto Metropolitan University, Canada
Sylvie Octobre, ministère de la Culture et de la Communication, France
Aly Tandian, Université Gaston Berger, Sénégal